Showing posts with label Vivaldi. Show all posts
Showing posts with label Vivaldi. Show all posts

Friday, September 25, 2009

Vivaldi ~ Salve Regina




Gerard Lesne, alto (counter-tenor)

Fabio Biondi, violon



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Wednesday, July 15, 2009

Anne-Sophie Mutter ~ Vivaldi Le quattro stagioni


ANTONIO VIVALDI Le quattro stagioni
Anne-Sophie Mutter
Trondheim Soloists
CD DDD 463 2592 GH
+ Tartini: Sonate "Teufelstriller"
Release: Oct. 1999

Antonio Vivaldi (1678 - 1741)
Concerto for Violin and Strings in E, Op.8, No.1, R.269 "La Primavera"
1) 1. Allegro [3:35]
2) 2. Largo [3:14]
3) 3. Allegro (Danza pastorale) [4:22]

Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate"
4) 1. Allegro non molto - Allegro [6:11]
5) 2. Adagio - Presto - Adagio [2:20]
6) 3. Presto (Tempo impetuoso d'estate) [2:32]
Trondheim Soloists, Anne-Sophie Mutter
Concerto for Violin and Strings in F, Op.8, No.3, R.293 "L'autunno"
7) 1. Allegro (Ballo, e canto de' villanelli) [6:13]
Anne-Sophie Mutter, Trondheim Soloists
8) 2. Adagio molto (Ubriachi dormienti) [2:59]
9) 3. Allegro (La caccia) [3:52]

Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno"
10) 1. Allegro non molto [3:31]
11) 2. Largo [2:49]
12) 3. Allegro [3:50]

Giuseppe Tartini (1692 - 1770)
Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo"
Arr.: Riccardo Zandonai
13) 1. Larghetto affettuoso [3:50]
Trondheim Soloists, Anne-Sophie Mutter
14) 2. Allegro [3:25]
15) 3. Andante - Allegro [1:10]
16) 4. Allegro assai [8:29]

Anne-Sophie Mutter, Trondheim Soloists
Get it on Amazon.com or directly on Deutsche Grammophon
Download here

Tuesday, June 30, 2009

Vivaldi ~ Concerti per violino, Vol. II - Di Sfida, Anton Steck


Vivaldi ~ Concerti per violino, Vol. II - Di Sfida, Anton Steck
Naïve | 24 Sep 2007 | Classical | APE+CUE | 3% Recovery | 276 MB | Covers | 55'00"






Part 1 | Part 2 | Part 3

Monday, June 29, 2009

Vivaldi ~ Concerti per violino 1 'La caccia', Academia Montis Regalis - Enrico Onofri


Vivaldi ~ Concerti per violino 1 'La caccia', Academia Montis Regalis - Enrico Onofri
Naïve | 7 mars 2006 | Classical | APE+CUE | 3% Recovery | 271 MB | Covers | 56'27"





Part 1 | Part 2 | Part 3

Sunday, June 28, 2009

Vivaldi ~ Arie per basso


Vivaldi ~ Arie Per Basso
Naïve | 21 février 2006 | Classical | APE+CUE | 3% Recovery | 297 MB | Covers





Part 1 | Part 2 | Part 3 | Part 4

Saturday, June 27, 2009

Vivaldi ~ Arie Ritrovate


Vivaldi ~ Arie Ritrovate
Naïve | 13 mai 2008 | Classical | APE+CUE | 3% Recovery | 356 MB | Covers





Part 1 | Part 2 | Part 3 | Part 4

Friday, June 26, 2009

Vivaldi ~ Operas



Vivaldi ~ Operas
Naïve | 25 mai 2004 | Classical | APE+CUE | 3% Recovery | 312 MB | Covers | 63'20"




Part 1 | Part 2 | Part 3 | Part 4

Thursday, June 25, 2009

Vivaldi ~ Griselda


Vivaldi ~ Griselda
Naïve | 29 août 2006 | Classical | APE+CUE | 3% Recovery | 3CDs | 753 MB | Covers | 2h 34'

Cd1
Part 1 | Part 2 | Part 3 | Part 4

CD2
Part 1 | Part 2 | Part 3 | Part 4

CD3
Part 1 | Part 2 | Part 3

Tuesday, June 23, 2009

Vivaldi ~ Vespri per l'Assunzione di Maria Vergine


Vivaldi ~ Vespri per l'Assunzione di Maria Vergine
Naïve | 30 septembre 2003 | Classical | APE+CUE | 3% Recovery | 2 CDs | 693 MB | Covers | 2h 33'





CD1
Part 1 | Part 2 | Part 3 | Part 4

CD2
Part 1 | Part 2 | Part 3 | Part 4

Sunday, June 21, 2009

Vivaldi ~ L'Olimpiade


Vivaldi ~ L'Olimpiade
Naïve | 1 octobre 2002 | Classical | APE+CUE | 3% Recovery | 3CDs | 747 MB | Covers | 02h 56'




CD1
Part 1 | Part 2 | Part 3 | Part 4

CD2
Part 1 | Part 2 | Part 3

CD3
Part 1 | Part 2 | Part 3

Sunday, May 3, 2009

Vivaldi ~ Stabat Mater




Download ~ 50 mb aprox

Wednesday, March 25, 2009

Vivaldi - Tito Manlio


Vivaldi - Tito Manlio / Gauvin · Mijanovic · Hallenberg · Ulivieri · Senn · Milhofer · Di Castri · Beronesi · Accademia Bizantina · Dantone
Naïve | 02 novembre 2005 | Classical | APE+CUE | 3% Recovery | 910 MB | 3CDs | Covers

Here we present Antonio Vivaldi's Tito Manlio (RV 738-A), as performed under the direction of Ottavio Dantone and released by Naïve as part of its Vivaldi Collection. The libretto to Tito Manlio was written by Matteo Noris in 1696 for performance at the Grand Prince Ferdinando de’ Medici’s theater at his villa in Pratolino. The music was composed by Carlo Pollarola, which was performed in Venice for several consecutive seasons. Thus, when Vivaldi took up the libretto in 1719, it had been in circulation for more than 20 years.

The source of the libretto is from Book VIII of Livy's The History of Rome. Noris, however, takes considerable license in departing from the facts and, indeed, the underlying rhetorical point presented in Livy's account.

Two essays are presented on this work. The first is by Professor Beth Glixon entitled "Pratolino, Venice, Mantua: Musings on Vivaldi’s Tito Manlio (1718/19)," which, among other things, compares the setting by Pollarola with that of Vivaldi. The second is by Professor Andrew Dell'Antonio entitled "Pairing and Elaboration," which looks at the manner in which Vivaldi "implements by musical means the dramatic coupling of the two female roles in the libretto."


Synopsis:
Titus Manlius is engaged in war with the people of Latium. Conflicts of love and duty arise, with his daughter Vitellia in love with the Latin commander Geminius, but loved by the Latin Lucius. Manlius, the son of Titus, kills Geminius, disobeying his father, and is condemned to death, in spite of the pleas of his beloved Servilia, sister of Geminius. He rejects the offer of Lucius to free him. There is eventual reconciliation between father and son.


Disque : 1
1. Sinfonia, Rv146 : Allegro
2. Sinfonia, Rv146 : Andante
3. Sinfonia, Rv146 : Presto
4. Acte 1, Scène 1 : Recitativo
5. Acte 1, Scène 1 : A Voi Del Basso Averno
6. Acte 1, Scène 1 : Recitativo
7. Acte 1, Scène 1 : Di Flegetonte Al Nume
8. Acte 1, Scène 1 : Recitativo
9. Acte 1, Scène 2 : Recitativo
10. Acte 1, Scène 2 : Se Il Cor Guerriero
11. Acte 1, Scène 3 : Recitativo
12. Acte 1, Scène 3 : Perche T'Amo, Mia Bella, Mia Vita
13. Acte 1, Scène 4 : Recitativo
14. Acte 1, Scène 4 : Liquore Ingrato
15. Acte 1, Scène 5 : Recitativo
16. Acte 1, Scène 5 : Alla Caccia D'Un Ben Adorato
17. Acte 1, Scène 6 : Recitativo
18. Acte 1, Scène 6 : E Pur Dolce
19. Acte 1, Scène 7 : Recitativo
20. Acte 1, Scène 8 : O Silenzio Del Mio Labbro
21. Acte 1, Scène 8 : Recitativo
22. Acte 1, Scène 8 : Orribile Lo Scempio
23. Acte 1, Scène 9 : Recitativo
24. Acte 1, Scène 10 : Recitativo
25. Acte 1, Scène 10 : Di Verde Ulivo
26. Acte 1, Scène 11 : Bramo Stragi, E Son Trafitto
27. Acte 1, Scène 11 : Recitativo
28. Acte 1, Scène 12 : Recitativo
29. Acte 1, Scène 12 : L'Intendo E Non L'Intendo
30. Acte 1, Scène 13 : Recitativo
31. Acte 1, Scène 14 : Recitativo
32. Acte 1, Scène 14 : Parto, Ma Lascio L'Alma
33. Acte 1, Scène 15 : Recitativo
34. Acte 1, Scène 15 : Sia Con Pace

Disque : 2
1. Acte 2, Scène 1 : Recitativo
2. Acte 2, Scène 1 : Non Ti Lusinghi La Crudeltade
3. Acte 2, Scène 2 : Recitativo
4. Acte 2, Scène 2 : D'Improvviso Riede Il Riso
5. Acte 2, Scène 3 : Recitativo
6. Acte 2, Scène 4 : Recitativo
7. Acte 2, Scène 5 : Recitativo
8. Acte 2, Scène 5 : Se Non V'Aprite Al Di
9. Acte 2, Scène 6 : Recitativo
10. Acte 2, Scène 6 : Grida Quel Sangue
11. Acte 2, Scène 7 : Recitativo
12. Acte 2, Scène 7 : Rabbia Che Accendesi
13. Acte 2, Scène 8 : Recitativo
14. Acte 2, Scène 9 : Recitativo
15. Acte 2, Scène 9 : Dar La Morte A Te, Mia Vita
16. Acte 2, Scène 10 : Recitativo
17. Acte 2, Scène 10 : Vedra Roma E Vedra Il Campidoglio
18. Acte 2, Scène 11 : Recitativo
19. Acte 2, Scène 11 : Combatta Un Gentil Cor
20. Acte 2, Scène 12 : Recitativo
21. Acte 2, Scène 13 : Recitativo
22. Acte 2, Scène 13 : No Che Non Morira
23. Acte 2, Scène 14 : Recitativo
24. Acte 2, Scène 14 : Andro Fida, E Sconsolata
25. Acte 2, Scène 15 : Recitativo
26. Acte 2, Scène 16 : Recitativo
27. Acte 2, Scène 15-16 : Legga, Legga, E Vegga
28. Acte 2, Scène 17 : Recitativo
29. Acte 2, Scène 18 : Recitativo
30. Acte 2, Scène 18 : Fra Le Procelle

Disque : 3
1. Acte 3, Scène 1 : Sonno, Se Pur Sei Sonno
2. Acte 3, Scène 1 : Recitativo
3. Acte 3, Scène 1 : Tu Dormi In Tante Pene
4. Acte 3, Scène 1 : Recitativo
5. Acte 3, Scène 1 : Parto Contenta
6. Acte 3, Scène 2 : Recitativo
7. Acte 3, Scène 3 : Recitativo
8. Acte 3, Scène 3 : Non Mi Vuoi Con Te, O Crudele
9. Acte 3, Scène 4 : Recitativo
10. Acte 3, Scène 4 : Brutta Cosa E Il Far La Spia
11. Acte 3, Scène 5 : Recitativo
12. Acte 3, Scène 5 : A Te Saro Fedele
13. Acte 3, Scène 6 : Recitativo
14. Acte 3, Scène 6 : Non Basta Al Labbro
15. Acte 3, Scène 7 : Recitativo
16. Acte 3, Scène 7 : No Che Non Vedra Roma
17. Acte 3, Scène 8 : Recitativo
18. Acte 3, Scène 9 : Recitativo
19. Acte 3, Scène 9 : Ti Lascerei Gl'Affetti Miei
20. Acte 3, Scène 10 : Recitativo
21. Acte 3, Scène 10 : Sempre Copra Notte Oscura
22. Acte 3, Scène 11 : Recitativo
23. Acte 3, Scène 11 : Mi Fa Da Piangere
24. Acte 3, Scène 12 : Recitativo
25. Acte 3, Scène 12 : Sinfonia
26. Acte 3, Scène 13 : Recitativo
27. Acte 3, Scène 14 : Recitativo
28. Acte 3, Scène 14 : Dopo Si Rei Disastri
29. Acte 3, Scène Finale : Recitativo
30. Acte 3, Scène Finale : Spari Gia Dal Petto

Part 1 | Part 2 | Part 3 | Part 4

Part 1 | Part 2 | Part 3 | Part 4

Part 1 | Part 2 | Part 3 | Part 4

Friday, February 27, 2009

Vivaldi: Concerti da camera


Vivaldi - Concerti da Camera
Classical | FLAC, Separate | 1 CD, Covers | 323 MB | TT: 1 hr. 15 min.
CD date: 29 Nov 2004 | Naive


When is a concerto not a concerto? The answer is, when it is a concerto da camera, or a chamber concerto. In the traditional Baroque concerto, one or more soloists are contrasted with an orchestra—usually comprised of strings and continuo. In a chamber concerto, the orchestra is replaced by a much smaller ensemble, and one that is comprised of a variety of instruments, not just strings. This means that concertante-style music is accessible to a handful of musicians. For whatever reason, Vivaldi had this genre pretty much to himself in Baroque Italy, although it was more popular elsewhere in Europe.


Composer: Antonio Vivaldi
Performer: Ubaldo Rosso, Giorgio Tabacco, Paolo Faldi, Andrea Mion,
Francesco D'Orazio, Emilia Gliozzi, Maurizio Piantelli, Aligi Voltan
Orchestra/Ensemble: Astrée Ensemble

Track Listings
Chamber Concerto, for flute, oboe, violin, bassoon & continuo in F major, RV 99
1. Allegro
2. Largo
3. Allegro

Chamber Concerto, for flute, violin, bassoon & continuo in D major, RV 91
4. Allegro
5. Largo
6. Allegro

Chamber Concerto, for recorder, oboe, violin, bassoon & continuo in G major, RV 101
7. (Allegro)
8. Largo
9. Allegro

Chamber Concerto, for flute/recorder or violin, oboe or violin, violin, bassoon or cello & continuo, in D, RV 90
10. (Allegro)
11. Largo
12. Allegro

Chamber Concerto, for flute or violin, violin, bassoon or cello & continuo in G minor, RV 106
13. (Allegro)
14. Largo
15. Allegro

Chamber Concerto, for recorder or violin, oboe or violin, violin, bassoon & continuo in D major, RV 95
16. Allegro
17. Largo
18. Allegro

Chamber Concerto, for flute, oboe, violin, bassoon & continuo in C major, RV 88
19. Allegro
20. Largo. Cantabile
21. Allegro. Molto

Chamber Concerto, for recorder, oboe, violin, bassoon & continuo in D major, RV 94
22. Allegro
23. Largo
24. Allegro

Chamber Concerto, for flute, oboe, violin, bassoon & continuo in G minor, RV 107
25. Allegro
26. Largo
27. Allegro

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Vivaldi - Concerti da Camera

Janine Jansen ~ Vivaldi Four Seasons


ANTONIO VIVALDI (1678-1741)
"La primavera". RV269 (Spring)
1) 1. Allegro
2) 2. Largo
3) 3. Allegro
"L’estate", RV315 (Summer)
4) 1. Allegro non molto
5) 2. Adagio - Presto
6) 3. Presto

"L'autunno" RV293 (Autumn)
7) 1. Allegro
8) 2. Adagio molto
9) 3. Allegro

"L’inverno", RV297 (Winter)
10) 1. Allegro non molto
11) 2. Largo
12) 3. Allegro

2004 Decca Music Group Limited
1 CD DDD
475 6418

You can buy it on Amazon.com
You can download here

Thursday, February 19, 2009

Vivaldi - Concerti e Cantate da Camera III


Vivaldi - Concerti e Cantate da Camera III
Classical | FLAC, Separate | 1 CD, Covers | 323 MB | TT: 1 hr. 1 min.
CD date: July 19, 2005 | Naive


Composer: Antonio Vivaldi
Performer: Laura Polverelli
Orchestra/Ensemble: Astrée Ensemble

"With the help of a really lifelike recording – the instruments truly seemed to be in my listening room – the music just leaps off the page. The quicker movements all dance, where older and heavier bands were apt to make them slog, while in the dialogues between instruments the phrases really answer each other. In slow movements, on the other hand, the music is made to speak. Once again, it is notable – especially in the Largo of RV87 – how much more romantic this music sounds played with freedom by a small original instruments group than it ever did with larger bands who were trying to put on baroque manners.
In the three cantatas, Laura Polverelli has a splendidly rich timbre, so much so that I almost took her for a contralto; but later Vivaldi sends her up to heights we don’t ask of contraltos and she ascends them with ease. Her lower notes are so splendidly rich that I wish there had been more of them....I rejoice in the sheer life of all these performances...the music is all magnificent, Vivaldi at his richest."


Track Listings

01. Concerto RV87 in C major (Adagio) 3:18
02. Concerto RV87 in C major (Largo) 2:24
03. Concerto RV87 in C major (Allegro assai) 2:27
04. Cantata RV683 Amor, hai vinto (Recitativo) 0:56
05. Cantata RV683 Amor, hai vinto (Aria: Passo di pena en pena) 5:45
06. Cantata RV683 Amor, hai vinto (Recitativo) 1:31
07. Cantata RV683 Amor, hai vinto (Aria: Se a me rivolge il ciglio) 5:12
08. Concerto RV98 "tempesta di mare" in F major (Allegro) 2:09
09. Concerto RV98 "tempesta di mare" in F major (Largo) 1:28
10. Concerto RV98 "tempesta di mare" in F major (Presto) 2:02
11. Cantata RV680 Lungi dal vago volto (Recitativo) 1:51
12. Cantata RV680 Lungi dal vago volto (Aria: Augelletti, voi col canto) 6:59
13. Cantata RV680 Lungi dal vago volto (Recitativo) 0:53
14. Cantata RV680 Lungi dal vago volto (Aria: Mi stringerai si, si) 4:21
15. Concerto RV103 in G minor (Allegro ma cantabile) 4:23
16. Concerto RV103 in G minor (Largo) 2:41
17. Concerto RV103 in G minor (Allegro con molto) 1:46
18. Cantata RV682 Vengo a voi, luci adorate (Aria: Vengo a voi luci adorate) 5:38
19. Cantata RV682 Vengo a voi, luci adorate (Recitativo) 0:48
20. Cantata RV682 Vengo a voi, luci adorate (Aria: Sempre penare) 3:45



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Vivaldi - Concerti e Cantate da Camera III

Vivaldi - Concerti e Cantate da Camera II


Vivaldi - Concerti e Cantate da Camera II
Classical | FLAC, Separate | 1 CD, Covers | 311 MB | TT: 1 hr. 3 min.
CD date: October 19, 2004 | Naive


Composer: Antonio Vivaldi
Performer: Giorgio Tabacco, Gemma Bertagnolli
Conductor: Giorgio Tabacco
Orchestra/Ensemble: Astrée Ensemble

You don't change a winning team. so here is the second volume of the Vivaldi Edition's complete recording of the chamber concertos and cantatas with L'Astrée,whose performances have already set new standards in this repertoire. (To mark the occasion, the first volume is at last reissued in a new presentation). As in the previous release in the series (with the mezzo-soprano Laura Polverelli), three concertos are here juxtaposed with three chamber cantatas, offering another chance to confirm the Prete rosso's inexhaustible inventiveness in these two genres, which gave him as much scope for instrumental and vocal virtuosity as his concertos with orchestra or his operas. In the concerto RV 100, we get a genuine dialogue between flute, violin, and bassoon, with the latter exploited for both its expressive range of colours and its great agility; in RV 92 and RV 108, it is the recorder's skill that is sorely tested. As to the cantatas, this time for soprano and continuo, they demand a soloist with faultless technique and a highly dramatic temperament: the almost hysterical outbursts, the acrobatic leaps, and the perilous series of top Cs in Geme l'onda are certainly not within the grasp of just any soprano! This is why L'Astrée have called on one of the most eminent Vivaldians of our day, the marvellous Gemma Bertagnolli, whose recent performances with Alessandrini and de Marchi have been universally acclaimed, and who achieves fresh triumphs here.


Track Listings

01. Concerto RV108 in A minor 2:49
02. Concerto RV108 in A minor 2:04
03. Concerto RV108 in A minor 2:28
04. Cantata rv651 amor, hai vinto per soprano e basso continuo 1:11
05. Cantata rv651 amor, hai vinto per soprano e basso continuo 4:59
06. Cantata rv651 amor, hai vinto per soprano e basso continuo 0:59
07. Cantata rv651 amor, hai vinto per soprano e basso continuo 4:25
08. Concerto rv92 in d major per flauto diritto, fagotto et violino 4:05
09. Concerto rv92 in d major per flauto diritto, fagotto et violino 2:28
10. Concerto rv92 in d major per flauto diritto, fagotto et violino 3:21
11. Cantata rv656 fonti del pianto per soprano e basso continuo 7:18
12. Cantata rv656 fonti del pianto per soprano e basso continuo 1:14
13. Cantata rv656 fonti del pianto per soprano e basso continuo 4:08
14. Concerto RV100 in F major per flauto traverso, fagotto, violino et continuo 2:38
15. Concerto RV100 in F major per flauto traverso, fagotto, violino et continuo 2:24
16. Concerto RV100 in F major per flauto traverso, fagotto, violino et continuo 2:34
17. Cantata RV657 Geme l'onda che parte dal fonte per soprano e basso continuo 7:49
18. Cantata RV657 Geme l'onda che parte dal fonte per soprano e basso continuo 1:14
19. Cantata RV657 Geme l'onda che parte dal fonte per soprano e basso continuo 5:03


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Vivaldi - Concerti e Cantate da Camera II

Wednesday, February 18, 2009

Cecilia Bartoli ~ Vivaldi Album



Vivaldi - New Discoveries


Vivaldi - New Discoveries
Classical | FLAC, Separate | 1 CD, Covers | 349 MB | TT: 1 hr. 8 min.
CD date: Feb 2009 | Naive


Performer: Basso; Pollastri; Casazza; Sardelli; Modo Antiquo
Composer: Vivaldi Antonio

Track Listings

01 Se Lento Ancora Il Fulmine (Agrippo, 1733) - Allegro Molto

02 Concerto RV 578a - Adagio E Spiccato
03 Concerto RV 578a - Allegro
04 Concerto RV 578a - Largo E Spiccato
05 Concerto RV 578a - Allegro

06 Sonata RV 806 - Andante
07 Sonata RV 806 - Allegro
08 Sonata RV 806 - Largo
09 Sonata RV 806 - Allegro

10 Mottetto Vos Invito - Allegro Assai
11 Mottetto Vos Invito - Recitativo
12 Mottetto Vos Invito - (Largo)
13 Mottetto Vos Invito - Presto

14 Sonata RV 798 - Andante
15 Sonata RV 798 - (Allegro)
16 Sonata RV 798 - Adagio
17 Sonata RV 798 - Allegro

18 Concerto In Sol Minore Per Oboe - Allegro
19 Concerto In Sol Minore Per Oboe - Largo
20 Concerto In Sol Minore Per Oboe - Allegro Cantabile

21 Se Fide Quanto Belle - Aria RV 794.32 (Vivace)

22 Sonata RV 810 In Re Maggiore - Andante
23 Sonata RV 810 In Re Maggiore - Allegro
24 Sonata RV 810 In Re Maggiore - Largo
25 Sonata RV 810 In Re Maggiore - Allegro


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Vivaldi - New Discoveries

Tuesday, February 17, 2009

Vivaldi ~ Juditha triumphans




CD1
CD2
CD2-T14

Wednesday, January 28, 2009

Vivaldi ~ Juditha triumphans


Vivaldi ~ Juditha triumphans
Naïve | 18 septembre 2001 | Classical | APE+CUE | 3% Recovery | 3CDs | 735 MB | Covers

Vivaldi may be best remembered for his virtuosic concertos but, as anyone familiar with his famous D major Gloria will know, he also had a real ear for vocal sonorities. His only surviving oratorio, Juditha Triumphans, has until recently been a well-kept secret. The biblical story of Judith overcoming Holofernes and his army (beheading him herself--no shrinking violet she) was popular with both librettists and composers, offering plenty of opportunities for exuberant tub-thumping. And these Vivaldi seizes eagerly, the opening rabble-rousing chorus (here preceded by a sinfonia reconstructed by Vivaldi scholar Michael Talbot) setting the tone in truly martial fashion.
However, Juditha also abounds in reflective numbers, something at which Vivaldi excels. Perhaps the most striking examples are the ethereal "turtle dove" aria ("Veni sequere fida"), with our heroine beautifully accompanied by a chalumeau (a precursor of the clarinet), the tranquil "Vivat in pace," and the sublime "Umbrae carae", here lyrically sung by Marina Comparato. The all-female lineup (five solo characters plus, on this particular recording, an all-female chorus) is a strong one. And, vitally, the soloists are well-differentiated, each with immediately recognizable timbres. Magdalena Kozena is fruity in the title role: not the kind of voice you'd necessarily associate with this repertoire, but it does turn a potentially smug heroine into one of real flesh and blood. Maria José Trullu is an opulent Holofernes, while Anke Herrmann's Abra is attractively mellow voiced. Downers? Just one--the recorded sound, which is too echoey. Overall, though, this is a fine performance of a great work and one that deserves a place on the shelves of every lover of Baroque music. --Harriet Smith

Booklet : http://www.karadar.com/Librettos/vivaldi_juditha.html


Part 1 | Part 2 | Part 3

Part 1 | Part 2 | Part 3

Part 1 | Part 2 | Part 3

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