Anne-Sophie Mutter ~ Bach Gubaidulina

Johann Sebastian Bach (1685–1750)
Concerto for Violin, Strings and Continuo in A minor, BWV 1041
1) 1. Allegro moderato [3’36]
2) 2. Andante [6’41]
3) 3. Allegro assai [3’11]
Concerto for Violin, Strings and Continuo in E major, BWV 1042
4) 1. Allegro [7’44]
5) 2. Adagio [7’11]
6) 3. Allegro assai [2’30]
Anne-Sophie Mutter, violin and conductor
Trondheim Soloists

Sofia Gubaidulina (*1931)
7) In tempus praesens (2006/07) [32’45]
Concerto for violin and orchestra
Dedicated to Anne-Sophie Mutter

Anne-Sophie Mutter, violin
London Symphony Orchestra
Valery Gergiev

2008 Deutsche Grammophon GmbH, Hamburg
1 CD DDD
477 7450 GH

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Hilary Hahn ~ Bach Concertos

JOHANN SEBASTIAN BACH (1685-1750)
Violin Concerto No.2 in E, BWV 1042
1) 1. Allegro [6:56]
2) 2. Adagio [7:06]
3) 3. Allegro assai [2:24]
Hilary Hahn
Los Angeles Chamber Orchestra
Jeffrey Kahane

Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043
4) 1. Vivace [3:14]
5) 2. Largo ma non tanto [6:50]
6) 3. Allegro [4:12]
Hilary Hahn
Margaret Batjer
Los Angeles Chamber Orchestra
Jeffrey Kahane

Violin Concerto No.1 in A minor, BWV 1041
7) 1. (Allegro moderato) [3:24]
8) 2. Andante [6:44]
9) 3. Allegro assai [3:20]
Hilary Hahn
Los Angeles Chamber Orchestra
Jeffrey Kahane

2003 Deutsche Grammophon GmbH, Hamburg
1 CD DDD
474 1992 GH

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Hilary Hahn ~ Plays Bach

JOHANN SEBASTIAN BACH (1685-1750)
PARTITA No. 3 IN E MAJOR, BWV 1006
1) I. Preludio (3:34)
2) II. Loure (4:47)
3) III. Gavotte en Rondeau (3:16)
4) IV. Menuet I (1:53)
5) V. Menuet II (3:04)
6) VI. Bourée (1:39)
7) VII. Gigue (1:53)

PARTITA No. 2 IN D MINOR, BWV 1004
8) I. Allemande (5:13)
9) II. Courante (2:09)
10) III. Sarabande (4:44)
11) IV. Gigue (3:23)
12) V. Ciaccona (17:47)

SONATA No. 3 IN C MAJOR, BWV 1005
13) I. Adagio (4:55)
14) II. Fuga (11:45)
15) III. Largo (3:57)
16) IV. Allegro assai (4:38)

1997 Sony Music Entertainment Inc.
1 CD DDD
SK 62793
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TERESA STICH-RANDALL: Mozart: Exultate Jubilate, K.165; Bach: Cantata Jauchzet Gott, BWV51; Maurice Andre; Ristenpart

TERESA STICH-RANDALL: Mozart: Exultate Jubilate, K.165; Bach: Cantata Jauchzet Gott, BWV51; Maurice Andre; Ristenpart (rec 1961 & 1963)
Cassical | EAC+FLAC+CUE+LOG+COVERS | 268MB

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Bach Dialoguekantaten

JOHANN SEBASTIAN BACH (1685–1750)
DIALOGUE CANTATAS
SELIG IST DER MANN, DER DIE ANFECHTUNG ERDULDET, BWV 57
1) 1. Aria (bass): »Selig ist der Mann« (Jesus) [3’21]
2) 2. Recitative (soprano): »Ach! dieser süße Trost« (Seele/Soul) [1’20]
3) 3. Aria (soprano): »Ich wünschte mir den Tod« (Seele) [4’32]
4) 4. Recitative (bass, soprano): »Ich reiche dir die Hand« (Jesus, Seele) [0’24]
5) 5. Aria (bass): »Ja, ja, ich kann die Feinde schlagen« (Jesus) [5’38]
6) 6. Recitative (bass, soprano): »In meinem Schoß liegt Ruh und Leben« [1’21]
(Jesus, Seele)
7) 7. Aria (soprano): »Ich ende behende mein irdisches Leben« (Seele) [3’47]
8) 8. Chorale (chorus): »Richte dich, Liebste, nach meinem Gefallen« [0’36]

TRITT AUF DIE GLAUBENSBAHN, BWV 152
9) 1. Concerto [3’15]
10) 2. Aria (bass): »Tritt auf die Glaubensbahn« [3’00]
11) 3. Recitative (bass): »Der Heiland ist gesetzt« [1’56]
12) 4. Aria (soprano): »Stein, der über alle Schätze« [3’15]
13) 5. Recitative (bass): »Es ärgre sich die kluge Welt« [1’18]
14) 6. Duet (soprano, bass): »Wie soll ich dich, Liebster der Seelen, [1’20]
umfassen?« (Seele, Jesus)

ICH GEH UND SUCHE MIT VERLANGEN, BWV 49
15) 1. Sinfonia [6’01]
16) 2. Aria (bass): »Ich geh und suche mit Verlangen« (Jesus) [5’11]
17) 3. Recitative [and Arioso] (bass, soprano): »Mein Mahl ist zubereit’« [1’47]
(Jesus, Seele)
18) 4. Aria (soprano): »Ich bin herrlich, ich bin schön« (Seele) [4’26]
19) 5. Recitative (soprano, bass): »Mein Glaube hat mich selbst so [1’18]
angezogen« (Seele, Jesus)
20) 6. Aria [Duet] (bass, soprano): »Dich hab ich je und je geliebet« [4’21]
(Jesus/Seele)

THOMAS QUASTHOFF, bass-baritone
DOROTHEA RÖSCHMANN, soprano
Members of the RIAS Kammerchor
Chorus Master: James Wood
BERLINER BAROCK SOLISTEN
RAINER KUSSMAUL, violin and direction

2007 Deutsche Grammophon GmbH, Hamburg
1CD DDD
477 6591GH

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Bach Goldberg Variations [HMU907425.26] Richard Egarr

Bach Goldberg Variations [HMU907425.26] Richard Egarr
Classical | EAC APE+CUE+LOG | 2CD/568MB | Small Front Cover | RS.com

“

The unabridged Goldberg Variations, summum of J.S. Bach's keyboard compositions, performed on a harpsichord modeled after Ruckers, re-voiced in quill, and tuned according to a newly discovered system which may have been Bach's own. The rarely heard 14 Goldberg Canons are an added bonus

”

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Magdalena Kozena ~ Bach Arias

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Julia Fischer - Bach: Concertos (2009)

Julia Fischer - Bach: Concertos (2009)
Classical | Easy CD-DA / Flac & Cue | Artwork included | 5 % recovery | 307 MB | RS.com
Audio CD: (January 27, 2009) | Label: Decca

“

Voted "Best Newcomer" by BBC Music Magazine in 2006 and acclaimed as "Artist of the Year" in the prestigious Classic FM Gramophone Awards only a year later, 25-year-old Julia Fischer is already being hailed as one of the truly great violinists of the 21st century. Julia burst upon the international music scene at the 1995 International Yehudi Menuhin Competition by taking first prize as well as a special prize for "Best Bach Solo Work." It is only natural then that her Decca debut disc should feature Bach--this time the solo and double concertos. Julia is joined by the Academy of St Martin in the Fields in these strikingly sophisticated and technically brilliant performances. amazon.com

”

Tracklist:

01. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043 - 1. Vivace
02. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043 - 2. Largo ma non tanto
03. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043 - 3. Allegro
04. Violin Concerto No.1 in A minor, BWV 1041 - 1. (Allegro moderato)
05. Violin Concerto No.1 in A minor, BWV 1041 - 2. Andante
06. Violin Concerto No.1 in A minor, BWV 1041 - 3. Allegro assai
07. Violin Concerto No.2 in E, BWV 1042 - 1. Allegro
08. Violin Concerto No.2 in E, BWV 1042 - 2. Adagio
09. Violin Concerto No.2 in E, BWV 1042 - 3. Allegro assai
10. Concerto for Violin, Oboe, and Strings in D minor, BWV 1060 - 1. Allegro
11. Concerto for Violin, Oboe, and Strings in D minor, BWV 1060 - 2. Adagio
12. Concerto for Violin, Oboe, and Strings in D minor, BWV 1060 - 3. Allegro

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WF Bach: Concertos pour clavecin et cordes [HMC901558] Richard Egarr, Charles Medlam, London Baroque

WF Bach: Concertos pour clavecin et cordes [HMC901558] Richard Egarr, Charles Medlam, London Baroque
Classical | EAC APE+CUE+LOG | 1CD/295MB | Covers+Booklet | RS.com

“

Another Bach Emerges. In the world of classical-music recordings, the works of J.S. Bach naturally have overshadowed those of the "other" Bachs - the great composer's sons and ancestors. Yet as this CD demonstrates, there is considerable, beauty, originality and power in those too-neglected works. Charles Medlam, the well established interpreter of Baroque music, and his London Baroque ensemble are joined here by harpsichordist Richard Egarr in a demonstration that J.S.'s son Wilhelm Friedemann was in his own right an exceptional composer with a firm understanding of both his father's Baroque-synthesizing insights into musical structure and the new demands of the emerging Classical period in composition. This generally well-produced recording of three clavier concertos by J.S.'s oldest son sparkles with a blend of the old and the new - hints, and sometimes strong ones, of his father's musical approaches combined with treatments evocative of Haydn and the younger Mozart (whom it is said was taught briefly by one or more of the Bach boys). The performance stands as worthy of listening in its own right. And for those as yet unfamiliar with the output of Bach's more talented offspring, W.F. and Carl Philipp Emanual, it is an excellent introduction to a too-often bypassed corner of musical satisfaction. Albert B. Kelley, Amazon.com

”

Part1 - Part2 - Part3 - Part4

CPE Bach: Die Israeliten in der Wüste [HMC901321] William Christie, Corona & Cappella Coloniensis

CPE Bach: Die Israeliten in der Wüste [HMC901321] William Christie, Corona & Cappella Coloniensis
Classical | EAC APE+CUE+LOG | 1CD/304MB | Booklet | RS.com
Part1 - Part2 - Part3 - Part4

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JS Bach: Matthaus Passion [HMX2901155.57] Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale

JS Bach: Matthaus Passion [HMX2901155.57] Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale
Classical | EAC APE+CUE+LOG | 3CD/666MB | Cover+Booklet | RS.com
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Bach ~ St. Matthew's Passion

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Bach: Solo Cantatas Bwv 35, 169, 170 / Fink, Müllejans, Freiburg Baroque Orchestra

Bach: Solo Cantatas Bwv 35, 169, 170 / Fink, Müllejans, Freiburg Baroque Orchestra
Harmonia Mundi | 22 janvier 2009 | Classical | APE+CUE | 3% Recovery | 323 MB | Covers | 76'20"

“

Beginning with an ebullient and colorfully scored Sinfonia (giving a prominent role to the organ), Bach's cantata BWV 169 sets the tone for this superb program that highlights three of his finest works in the form for solo voice. It also represents some of mezzo-soprano Bernarda Fink's finest work on disc. Bach seems to have had a particular affinity for instruments inhabiting the alto range and timbre, including oboe d'amore and gamba--and of course for the alto voice, for which he wrote one of his greatest arias, "Erbarme dich", from the St. Matthew Passion (whose character and siciliana style is recalled here in the aria "Stirb in mir" from BWV 169). And Bernarda Fink has the ideal voice to translate and transmit to our ears the most heartfelt of Bach's settings, her warm, medium-bodied, agile (and sometimes mesmerizing!) mezzo perfectly capturing the temperament and mixed emotions of a weary soul that wells with hope for the true fulfillment and joy of the next, heavenly life. Needless to say this is difficult music to sing, but Fink's solid, confident musicianship and knowing interpretations show why she remains one of today's premiere soloists (not only in Baroque repertoire but also as a lieder singer). Among the more enduring qualities of these works are the many ways Bach uses music to comment on and illustrate the meaning of the texts (particularly in the last two arias of BWV 170), the unusually independent scoring for organ (how can you not love those recurring swirling figures in BWV 170's final aria!), and the affecting interaction of voice and instruments in the abovementioned aria "Stirb in mir" (Die within me, O world and all your affections). In this cantata Bach skillfully balances the text's overriding theme--a determination to give one's heart entirely to God, to part from the world and its gladly offered blandishments--while, at the work's end remembering that at the same time "we are also commanded to be true to our neighbor". And so, unlike the other two cantatas, this one ends with a lovely chorale (Luther's Nun bitten wir den heiligen Geist) that addresses this point, the chosen verse including the lines "O sweet love, grant us your grace...That we may sincerely love one another and live in peace and unity"--a beautiful sentiment, so simply yet movingly expressed through one of Bach's more engaging harmonizations. The sound, surprisingly not from a church but from a Berlin studio, is absolutely first-rate. Bravo Bernarda!--David Vernier, ClassicsToday.com

”

1. Gott Soll Allein Mein Herze Haben, Bwv169 : Sinfonia
2. Gott Soll Allein Mein Herze Haben, Bwv169 : Arioso
3. Gott Soll Allein Mein Herze Haben, Bwv169 : Aria
4. Gott Soll Allein Mein Herze Haben, Bwv169 : Recitativo
5. Gott Soll Allein Mein Herze Haben, Bwv169 : Aria
6. Gott Soll Allein Mein Herze Haben, Bwv169 : Recitativo
7. Gott Soll Allein Mein Herze Haben, Bwv169 : Choral
8. Vergnugte Ruh, Beliebte Seelenlust, Bwv170 : Aria
9. Vergnugte Ruh, Beliebte Seelenlust, Bwv170 : Recitativo
10. Vergnugte Ruh, Beliebte Seelenlust, Bwv170 : Aria
11. Vergnugte Ruh, Beliebte Seelenlust, Bwv170 : Recitativo
12. Vergnugte Ruh, Beliebte Seelenlust, Bwv170 : Aria
13. Geist Und Seele Wird Verwirret, Bwv35 : Concerto
14. Geist Und Seele Wird Verwirret, Bwv35 : Aria
15. Geist Und Seele Wird Verwirret, Bwv35 : Recitativo
16. Geist Und Seele Wird Verwirret, Bwv35 : Aria
17. Geist Und Seele Wird Verwirret, Bwv35 : Sinfonia
18. Geist Und Seele Wird Verwirret, Bwv35 : Recitativo
19. Geist Und Seele Wird Verwirret, Bwv35 : Aria

Part 1 | Part 2 | Part 3 | Part 4

Aafje Heynis ~ Bach Handel Brahms

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Janine Jansen ~ Bach Inventions and partita

Johann Sebastian Bach (1685 - 1750)Two-part Inventions, BWV 772/786
1) No. 1 in C, BWV 772
2) No. 2 in C minor, BWV 773
3) No. 3 in D, BWV 774
4) No. 4 in D minor, BWV 775
5) No. 5 in E flat, BWV 776
6) No. 6 in E, BWV 777
7) No. 7 in E minor, BWV 778
8) No. 8 in F, BWV 779
9) No. 9 in F minor, BWV 780
10) No. 10 in G, BWV 781
11) No. 11 in G minor, BWV 782
12) No. 12 in A, BWV 783
13) No. 13 in A minor, BWV 784
14) No. 14 in B flat, BWV 785
15) No. 15 in B minor, BWV 786

Partita for Violin Solo No.2 in D minor, BWV 1004
16) 1. Allemande
17) 2. Corrente
18) 3. Sarabande
19) 4. Giga
20) 5. Ciaccona

Three-Part Inventions, BWV 787-801
21) No.1 in C, BWV 787
22) No.2 in C minor, BWV 788
23) No.3 in D, BWV 789
24) No.4 in D minor, BWV 790
25) No.5 in E flat, BWV 791
26) No.6 in E, BWV 792
27) No.7 in E minor, BWV 793
28) No.8 in F, BWV 794
29) No.9 in F minor, BWV 795
30) No.10 in G, BWV 796
31) No.11 in G minor, BWV 797
32) No.12 in A, BWV 798
33) No.13 in A minor, BWV 799
34) No.14 in B flat, BWV 800
35) No.15 in B minor, BWV 801

Janine Jansen, Violin
Maxim Rysanov, Viola
Torleif Thedéen, Cello

2007 Decca Music Group Limited
1 CD DDD
475 9081

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Lorraine Hunt Lieberson ~ Bach Cantatas

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Bach ~ St. Matthew's Passion

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Bach: Early Works [HMC901960] Andreas Staier

Bach: Early Works [HMC901960] Andreas Staier
Classical | EAC APE+CUE+LOG | 1CD/422MB | Covers+Booklet | RS.com

“

Who was the young Bach? A rebellious, provocative adolescent? A clever, stubborn careerist? An innovator, as gifted as he was prolific? Certainly a mixture of all three, replies the harpsichordist Andreas Staier in this selection of early works that are anything but run-of-the-mill. This programme shows how Herr Bach, eager to call the music of his time into question, assimilated multiple influences and gave a ‘new look’ to the traditions of north Germany.

”

Part1 - Part2 - Part3 - Part4 - Part5

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Natalie Dessay Bach Cantatas

Natalie Dessa - Bach Cantatas
Opera | Release year: 2008 | 2 CD | MP3 | 100 MB

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Kathleen Battle ~ Bach Arias

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